Wczytywanie
actus humanus GDAŃSK // 13-17.12.2023
ARTISTS
MARCO BEASLEY
MARCO
BEASLEY
MARCO
BEASLEY
Famous for his versatility, this Italian tenor, born in Portici on the outskirts of Naples, studied at the University of Bologna, focussing on late Renaissance music – the complex art of recitar cantando – and on both religious and secular polyphony. His dynamically developing career has led him to the most prestigious concert halls in the world, including the Salzburg Mozarteum, Royal Concertgebouw in Amsterdam, Accademia Nazionale di Santa Cecilia in Rome, or New York’s Lincoln Center. Beasley shows a keen awareness of the relationship between music and lyrics and has his poetic inspirations. He is able to perform a wide and varied repertoire – singing Gregorian chant, 16th-century frottole, motets, Baroque monody, or Neapolitan songs – but can cope equally well with contemporary works alluding to historical genres. Beasley recorded most of his albums with the Accordone ensemble, which he had founded in 1984, together with Guido Morini and Stefano Rocco.
ANTONIO FLORIO
ANTONIO
FLORIO
ANTONIO
FLORIO
Italian conductor, musicologist, and composer; founder of the Cappella Neapolitana early music ensemble (formerly Cappella della Pietà de Turchini). He has discovered, recorded and restored to the repertoire a number of works by composers such as Francesco Provenzale, Gaetano Latillia, Leonardo Vinci, Giovanni Paisiello, Fracesco Cavalli, Francesco de Majo, Domenico Scarlatti, Pasquale Anfossi, and Leonardo Leo. He conducts seminars and master classes in Baroque singing and chamber music, collaborating with many European institutions. He is a lecturer at the Conservatorio di Musica San Pietro a Majella in Naples, where he teaches the repertoire and musical style of the Baroque era. Florio is the recipient of many prizes and awards, including the ‘Diapason d’Or’ and ‘L'Orphée d'Or,’ the Luis Gracia Iberni Award for Best Conductor; in 2004, during the Festival Mousiké, he received the award for his work in promoting the dissemination of Mediterranean music, and in 2008, he was awarded the ‘Premio Napoli’ distinction by the City of Naples.
podcast
 CAPPELLA NEAPOLITANA
CAPPELLA NEAPOLITANA
CAPPELLA NEAPOLITANA
The group was founded in 1987 by Antonio Florio as Cappella della Pietà de' Turchini (sometimes also referred to simply as ‘I Turchini’). Since 2016, however, the group has been known under the name of Cappella Neapolitana. It consists of vocalists and instrumentalists who specialize in performing music from the city that boasts one of the richest artistic traditions in Europe – Naples. Cappella Neapolitana focuses on the works of composers of the 12th and 18th centuries and has reintroduced – sometimes through partial restoration – many of their compositions to the concert circuit. Cappella Neapolitana has performed at such renowned venues as Sala Santa Cecilia in Rome, Teatro San Carlo in Naples, Palau de la Música Catalana in Barcelona, Berliner Philharmonie, Cité de la Musique, Théâtre des Champs-Élysées, and Théâtre de la Ville in Paris, Vienna Konzerthaus, Grande Auditório da Fundação Calouste Gulbenkian in Lisbon, Teatro Lope de Vega in Seville, and La Monnaie in Brussels. Their discography includes more than forty albums recorded for labels such as Opus 111, Naïve, or Glossa.
podcast
CHRISTINA PLUHAR
CHRISTINA
PLUHAR
CHRISTINA
PLUHAR
Christina Pluhar discovered a passion for early music after graduating from classical guitar at the University of Graz, Austria. Since then, she has devoted her career to period instruments, including the lute, theorbo, baroque guitar and baroque harp. She studied at the Conservatory of The Hague, Schola Cantorum Basiliensis and at master courses. Among her teachers are Toyohiko Satoh, Eugen Dombois, Hopkinson Smith, Paul O’Dette, Pat O’Brian, Jesper Bøje Christensen and Mara Galassi. In 1992, she received the first award of the Malmö Chamber Music Festival, together with the La Fenice ensemble. This has launched her career of a soloist and basso continuo performer appearing on the most prestigious stages. Since 2000, she has been pursuing her live and studio career through working with her own ensemble, L’Arpeggiata. Christina Pluhar both invited leading personalities, including René Jacobs and Marc Minkowski, to collaborate with her and has herself been involved by other ensembles, such as the Australian Brandenburg Orchestra, European Baroque Orchestra and Orquestra Divino Sospiro. She recorded for Alpha, Erato, Virgin Classics and other labels.
podcast
 L'ARPEGGIATA
L'ARPEGGIATA
L'ARPEGGIATA
Established in 2000 by Christina Pluhar the ensemble brings together eminent European musicians devoted to period performance. Focusing on the early Baroque repertoire and authenticity of the interpretations she can combine them with other musical styles (such as jazz and traditional music) and other artistic formats (dance and theatre) in the group’s unmistakable trademark feature. From the very beginning, the ensemble enjoyed worldwide critical success confirmed by numerous prestigious awards for their recordings, collaboration projects with stars of period performance, and invitations to the world’s most important festivals. In 2023, they expanded their discography with the album ‘Passacalle de la Follie’ with Philippe Jaroussky released by Warner Classics/Erato.
podcast
OTTAVIO DANTONE
OTTAVIO
DANTONE
OTTAVIO
DANTONE
Harpsichordist and organist, as well as conductor and director of the Accademia Bizantina ensemble, with whom he has recorded a series of memorable albums of both instrumental, and opera, music. Following his brilliant successes scored in various competitions in the mid-1980’s, he immediately drew the attention of critics and audiences. In 1989 he began his collaboration with the Accademia Bizantina orchestra, becoming its director in 1996. Under his leadership, the ensemble has achieved a unique position in the musical world. As a conductor, Dantone leads both chamber music ensembles and orchestras, expanding his repertoire with works from the classical period and Romanticism. Since 1999, he has also paid a great deal of attention to opera pieces – especially to the forgotten ones - without, however, neglecting his solo career. So far, he has recorded for various labels, including Decca, Deutsche Grammophon, Naïve, or Harmonia Mundi, winning numerous international prizes in the process.
podcast
 ACCADEMIA BIZANTINA
ACCADEMIA BIZANTINA
ACCADEMIA BIZANTINA
Nowadays, this group is among the most distinguished early music ensembles on the international stage. It was formed in 1983 with the intention of performing chamber music retaining the style and quality of a ‘classical string quartet.’ Initially, the band developed in collaboration with artists such as Jörg Demus, Riccardo Muti, Luciano Berio or, finally, Stefano Montanari, who was to remain the orchestra’s concertmaster for twenty years and guide them towards the idea of performing music of the 17th, 18th, and 19th centuries on period instruments. Since 1989, Ottavio Dantone has been collaborating with the Accademia, becoming its director in 1996. The ensemble performs in the world’s most prestigious venues and at the most famous festivals. Its numerous records for labels such as Decca, Harmonia Mundi, Naïve, Deutsche Grammophon, or Onyx, have regularly received enthusiastic reviews, won renowned prizes such as the ‘Diapason d’Or’ or ‘Midem Classic Award’, or received ‘Grammy Award’ nominations.
podcast
PINO DE VITTORIO
PINO
DE VITTORIO
PINO
DE VITTORIO
Italian tenor and actor born as Giuseppe De Vittorio in Leporano, in the Italian province of Tarent – home of the tarantella – in 1954. He became famous primarily for exploring the historical folk traditions of various forms of dance music. He co-founded La Compagnia Pupi e Fresedde, an ensemble performing folk dances and songs from the region of Puglia. De Vittorio was also a member of Nuova Compagnia di Canto Popolare, with which he performed all over the world. He appeared at the Teatro San Carlo in Naples in stagings of works by Monteverdi, Paisiello, and Stravinsky; in ‘The Coronation of Poppea,’ he made his debut at the Opéra National de Paris and at Milan's La Scala. Focusing on Baroque music, he founded the Cappella della Pietà de' Turchini ensemble with Antonio Flori. With this group, he performed Baroque repertoire in France, Japan, China, Colombia, Mexico, Argentina, Brazil, Israel, and Spain. The ensemble has performed operatic works by Leonardo Vinci, Domenic Scarlatti, and many less famous Italian composers. Pino De Vittorio's recordings have been released by such labels as Symphonia, Opus 111, Naïve, Eloquentia, and Glossa.
podcast
FRANCO PAVAN
FRANCO
PAVAN
FRANCO
PAVAN
Italian musician who plays the lute and theorbo. He graduated with honours in lute class and musicology studies. Pavan is the founder of the group Laboratorio '600, and has also collaborated with other leading ensembles performing early Italian music: Concerto Italiano, Accordone, La Cappella della Pietà de’ Turchini, La Risonanza, La Venexiana, and England's Trinity Baroque. Franco Pavan's oeuvre includes more than fifty discs released by top labels such as Glossa, Opus 111, EMI, Virgin, Cypres, Alpha Classics, Arcana, or Naïve. His recordings have won the ‘Gramophone Award’, ‘Diapason d’Or,’ and ‘Premio Internazionale del Disco Antonio Vivaldi’ awards. As a musicologist, he works on the history of the lute and the music of the first half of the 17th century. For instance, he is the author of entries in the encyclopaedias ‘The New Grove Dictionary of Music and Musicians’ and ‘Die Musik in Geschichte und Gegenwart’. He teaches lute at the Conservatorio di Musica ‘Evaristo Felice Dall’Abaco.’ In 2014, the Università degli Studi di Padova awarded him the title of Cultore della Materia in music history.
podcast
 LABORATORIO '600
LABORATORIO '600
LABORATORIO '600
An ensemble of performers of early music for plucked string instruments, founded in 2012 by Italian lutenist and theorbo player Franco Pavan. The group is dedicated to restoring forgotten Italian music to the repertoire, with a special emphasis on meticulous source research. In the case of Laboratorio '600, the research work always stems from pure passion and goes hand in hand with meticulous attention to sound. The group often performs with notable figures of historically informed performance, such as Pino de Vittorio and Roberta Invernizzi. Their discography includes recordings of 17th-, and 18th-century Sicilian music, music from the region of Calabria, lullabies by composers of the Baroque era, and melodies from field recordings, as well as church music.
podcast
VINCENT DUMESTRE
VINCENT
DUMESTRE
VINCENT
DUMESTRE
French instrumentalist, conductor, and expert in the interpretation of early music. Dumestre studied history of art at the École du Louvre, and classical guitar at the École normale de musique de Paris and is considered one of the most inventive and versatile promoters of the revival of baroque music. In 1998, he established the highly appreciated historically informed performance ensemble Le Poème Harmonique. Their repertoire, which reflects the diversity of vocal and instrumental music, consists both of well-known works and reconstructed or re-discovered pieces. Dumestre has performed with such groups as Ensemble Aedes, Accentus Austria, Les Cris de Paris, musicAeterna, Musica Florea, Arte dei Suonatori, Orchestre Régional de Normandie, Capella Cracoviensis or {oh!} Orkiestra. He has been active not only as a conductor and musical director of various orchestras and choirs but also as a curator of artistic seasons, music competitions, and festivals. For five years he was the artistic director of the Festival de Musique Baroque du Jura. Vincent Dumestre is Chevalier of the Ordre des Arts et des Lettres and of the Ordre national du Mérite.
podcast
 LE POÈME HARMONIQUE
LE POÈME HARMONIQUE
LE POÈME HARMONIQUE
This early music ensemble was established at the suggestion of Vincent Dumestre in 1998. It consists of devoted specialists of the historically informed performance of 17th- and 18th-century music. Their concerts, enthusiastically received both in their native country, France, and worldwide, reflect their innovative approach to the interpretation of the musical repertoire and a thorough exploration of its vocal and instrumental texture. The group performs not only well-known, but also slightly less popular works of French, Italian, and English composers. They have appeared in the most prestigious concert halls of France, Italy, England, China, Japan, Austria, Belgium, or Holland, and aroused the admiration of audiences at such events as the BBC Proms, Ambronay Festival, Festival de Beaune, and Festival de Sablé. Their recordings are published by the Alpha Classics label and prominent among their numerous prizes and awards are the ‘Diapason d’Or’, the ‘Choc’ award of ‘Le Monde de la musique’ magazine, and the ‘Preis der deutschen Schallplattenkritik’ (‘German Record Critics' Award’). The ensemble’s activities are not limited to the performance of early music: they are also involved in music education and the dissemination of music. In 2014, Le Poème Harmonique created the École Harmonique, which is a cultural and educational enterprise which teaches music to children.
podcast
MARTYNA PASTUSZKA
MARTYNA
PASTUSZKA
MARTYNA
PASTUSZKA
Violinist, concertmaster and member of numerous international early music ensembles, she is also, since 2012, the leader and artistic director of {oh!} Orkiestra Historyczna, which quickly gained the trust and support of the biggest Polish musical institutions and international festivals. She serves as a guest concertmaster for such ensembles as Le Parlement de Musique or Capella Cracoviensis. As a chamber musician, she works with NeoBarock from Cologne, Le Cercle de l’Harmonie from Paris, Le Concert de la Loge, Hofkapelle München from Munich and Arte dei Suonatori from Poznań. Artistic encounters with such musicians as Rachel Podger, Giuliano Carmignola, Andrew Parrott, Julien Chauvin, Andreas Staier, Hidemi Suzuki, Barthold Kuijken, Dan Laurin and René Jacobs are for her a constant source of inspiration.
podcast
 {OH!} ORKIESTRA
{OH!} ORKIESTRA
{OH!} ORKIESTRA
A dynamic and continually growing orchestra established in 2012, one of the leading Polish early music ensembles, {oh!} Orkiestra was created by a group of musicians who are passionate about historical performance and early music as well as their region. {oh!} is the first professional orchestra in Silesia playing historical instruments and has become the region’s cultural landmark, appreciated in Poland and abroad. The orchestra has recorded a number of well received CDs, including a 3-CD set of Leonardo Vinci’s ‘Gismondo, re di Polonia’, which was recently awarded the ‘Preis der deutschen Schallplattenkriti’, while its first performance in 2020 was nominated for the ‘Coryphaeus of Polish Music’ award in the Event of the Year category. The ensemble regularly performs at Polish and foreign festivals. The orchestra’s concertmaster is Martyna Pastuszka, a violinist and ‘Polityka’s’ nominee for its Passport in 2019 and 2020.
podcast
MARCIN ŚWIĄTKIEWICZ
MARCIN
ŚWIĄTKIEWICZ
MARCIN
ŚWIĄTKIEWICZ
One of the most recognisable polish harpsichordists, Świątkiewicz plays various types of harpsichords and clavichords, as well as period pianos and organs. He is particularly passionate about improvisation. As a soloist, conductor, and chamber musician he collaborates regularly with the forefront of Polish and international orchestras and ensembles, including Brecon Baroque, Capella Cracoviensis, Arte dei Suonatori, {oh!} Orkiestra Historyczna, and AUKSO. In 2015, he recorded a solo album with Müthel’s late-Baroque harpsichord concertos, which was awarded the Diapason d’Or. Two years later he issued another solo recording entitled ‘Cromatica’, which won a series of awards. For the ‘Rosary Sonatas’ by Biber, recorded with Rachel Podger, David Miller, and Jonathan Manson, Świątkiewicz received the ‘Gramophone Award’. In 2016 he was also awarded the prestigious ‘Polityka’ weekly’s Passport Award. The latest achievements of the harpsichordist include the album with harpsichord concertos by J.S. Bach (2018) and the album with the ‘Goldberg Variations’ (2020). The artist is also a lecturer at the Karol Szymanowski Academy of Music in Katowice. He pays particular attention to the teaching of solo playing and to courses of partimento-based improvisation.
podcast
 ARTE DEI SUONATORI
ARTE DEI SUONATORI
ARTE DEI SUONATORI
An early music ensemble created in 1993 that has made a name for itself on the international music scene. The orchestra has a repertoire of over 700 compositions from the Baroque, Classicism and early Romanticism. The ensemble specialises in early music, but its vast repertoire also includes works by 20th century composers as well as contemporary compositions. They co-operate with soloists and conductors from all over Europe, the USA, Canada and Japan, including names such as Rachel Podger, Bolette Roed, Martin Gester and Hidemi Suzuki. A winner of many prizes and distinctions, Arte dei Suonatori enjoys a lasting popularity among music critics and audiences. The ensemble’s recordings were distinguished with awards such ‘Diapason d’Or’, ‘Gramophone Editor's Choice’, ‘Choc du Monde de la Musique’ and ‘Classics Today’. Arte dei Suonatori has also made numerous recordings for many radio stations, including the BBC, Polish Radio Programme II, SWR and Mezzo.
podcast
 COHAERE ENSEMBLE
COHAERE ENSEMBLE
COHAERE ENSEMBLE
The Cohaere Ensemble is a historically informed performance group founded in Katowice, Poland, in 2019. Its members are: Marta Korbel (violin), Marta Gawlas (flute), Monika Hartmann (cello), and Natalia Olczak (harpsichord). The name of the ensemble is meant to emphasise the sound coherence resulting from the highest level interpretation of music. Its four musicians, however, do not confine themselves to just this quartet of players, also performing in extended ensembles as well as in duos and trios. The group quickly won the recognition of the audience, as testified by its appearances both in Poland (at, for instance, Bach Festival Świdnica, Łazienki (Royal Baths) Park ‘Zone of Silence’ Music Festival in Warsaw, and the Młoda Muzyka Dawna Festival) and abroad (Musiques Baroques à Savennieres festival in France). Their output has also won distinction at international competitions, including the First Prize at the International Early Music Competition in the Loire Valley. Since 2022, the ensemble has been participating in the EEEMERGING+, a European project promoting the most talented early music groups.
podcast
CÉLINE SCHEEN
CÉLINE
SCHEEN
CÉLINE
SCHEEN
A Belgian soprano singer. She began her vocal education with Annie Frantz and continued in the class of Marcel Vanaud at the Conservatoire royal de Mons, where she received a distinction in 1996. She then went on to graduate from singing and singing methodology at the Conservatoire royal de Bruxelles. Céline Scheen performed at the largest festivals and most prestigious concert halls, and has recorded for Europe’s premier labels, including Deutsche Grammophon. Her operatic oeuvre is truly impressive and comprises roles in pieces by Monteverdi, Cavalli, Gluck, Haydn and Mozart, as well as more recent composers, such as Menotti and Poulenc. She has also performed Bach’s passions, Mozart’s masses (Coronation mass, Great mass in C minor), Fauré’s Requiem, as well as Petite messe solennelle by Rossini and Carmina Burana by Orff. In these projects she collaborated with numerous ensembles, including Il Fondamento, Ricercar Consort, Café Zimmermann, La Fenice, La Cetra d’Orfeo and Musica Antiqua Köln.
podcast
ISABELLE DRUET
ISABELLE
DRUET
ISABELLE
DRUET
One of the most highly regarded mezzo-sopranos of her generation; she successfully performs both in opera houses and at solo recitals and excels in a repertoire ranging from Baroque to contemporary music. Druet started her artistic journey by studying acting; then she launched her vocal career while studying at the Conservatoire National Supérieur de Musique et de Danse in Paris, performing traditional and contemporary music. Her great talent was soon recognized, which brought her prestigious distinctions and awards, including at the Concours Reine Elisabeth or the Victoires de la Musique Classique, as well as the title of ‘ECHO Rising Star.’ She has performed with such ensembles and orchestras as the London Symphony Orchestra, Tonhalle-Orchester Zürich, Gürzenich-Orchester Köln, Detroit Symphony Orchestra, BBC National Orchestra of Wales, Berliner Barock Solisten, Orchestre National de Belgique, Philharmonische Orchester von Luxemburg, as well as Orchestre National de Lyon, Orchestre Philharmonique Royal de Liège, Insula Orchestra, Ensemble Pygmalion, and Les Arts Florissants.
podcast
SOPHIE JUNKER
SOPHIE
JUNKER
SOPHIE
JUNKER
Belgian soprano who, having finished studies in her native Belgium and in London, won the prizes at two prestigious music competitions, namely, the London Handel Singing Competition in 2010, and the Internationale Gesangswettbewerb für Barockoper ‘Pietro Antonio Cesti’ in Innsbruck in 2012. These successes allowed her to launch an international career. She now regularly shares the stage with leading conductors such as Harry Bicket, Laurence Cummings, Christian Curnyn, Richard Egarr, Paul McCreesh, Christophe Rousset, Masaaki Suzuki, and Stefano Montanari. As a soloist, she performs frequently with the ensembles Concerto Copenhagen, La Nuova Musica, Vox Luminis, Concert de la Loge, Le Poème Harmonique, or Arcangelo, and in major opera houses in Europe and the United States. She has also sung with Collegium 1704, the Russian National Orchestra, the Chœur de Chambre de Namur, and the Dunedin Consort. She has also appeared on the stage of the Copenhagen Opera Festival, Edinburgh International Festival, and Innsbrucker Festwochen der Alten Musik.
podcast
VINCENZO CAPEZZUTO
VINCENZO
CAPEZZUTO
VINCENZO
CAPEZZUTO
Award-winning dancer and singer gifted with an extremely subtle alto voice. He has performed in choreographies by Mauro Bigonzetti, William Forsythe, and Ohad Naharin, among others. He has also collaborated with Teatro di San Carlo in Naples, English National Ballet, Ballet Argentino Julio Bocca, MMcompany, and Aterballetto. His exceptional vocal qualities correspond with the eclectic style of L'Arpeggiata, with which he has recorded several critically acclaimed albums. In addition, he has collaborated with such ensembles as Il Pomo d'Oro, Capella Cracoviensis, Orchestra da Camera di Perugia, or Tetraktis Percussioni. He records for Erato and Virgin Classic. Together with Claudio Borgianni, he created the formation Soqquadro Italiano, which combines music, singing, dance and visual arts in its projects. Capezzuto has performed at Carnegie Hall in New York, Wigmore Hall in London, Walt Disney Concert Hall in Los Angeles, and Melbourne Recital Center, as well as the BBC Proms, Ravenna Festival, Winter International Arts Festival in Sochi, Shanghai International Music Festival, Quincena Musical in San Sebastian, among others.
podcast
PAWEŁ IWASZKIEWICZ
PAWEŁ
IWASZKIEWICZ
PAWEŁ
IWASZKIEWICZ
A musician and multi-instrumentalist specialising in performing on period winds. Apart from recorder and transverse flute, he also plays the shawm, bagpipes and dulcian. He dedicates himself to the traditional repertoire as well as music spanning from the mediaeval period until contemporary times. He has co-operated with numerous period and ethnical music ensembles and has recorded over 30 CDs. Founder and leader of the Orkiestra Czasów Zarazy (Orchestra in the Time of Plague), Dancerye, Open Folk and Yełdyryn ensembles, he is also a co-founder of a Renaissance transverse flute quartet Epithalamion. He participates in a Polish-Scandinavian musical project ‘Paths of Dance’, rediscovering the common roots of Polish and Swedish traditional music. Paweł Iwaszkiewicz runs master classes for recorder and medieval reeds. He also writes music for theatre.
podcast
ADAM STRUG
ADAM
STRUG
ADAM
STRUG
Singer and instrumentalist, songwriter, composer of theatre and film music; curator and music producer; documentary film director and scriptwriter; promoter of Polish and foreign traditional music; originator of Monodia Polska singers’ ensemble. In 2017–2019 he presented a broadcast series titled ‘A Musical Journey through Poland’ on Polish Radio Channel One. In 2019–2021 he hosted the Thursday editions of ‘Źródła’ (‘Sources’) magazine on Channel Two. Since 2020 he has had his own original programme titled ‘Oh Yes Mazovia’ on Polish state television TVP3 Warsaw. He studies and guards the treasure hoard of religious and secular songs handed down for generations exclusively in oral tradition. Thirty years ago he was one of the pioneers of the revival of interest in traditional music performed in crudo. For more than 25 years he has held singers’ meetings dedicated to Polish traditional song. With Monodia Polska he performs medieval and Renaissance polyphony.
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PROGRAMME
13.12godz. 17:30
OCCHI TURCHINI
FRANCO PAVAN / PINO DE VITTORIO / LABORATORIO '600
Occhi Turchini

La scillitana
Frasca
La fija du marinaru
Tarantella ‘nfuocata
Occhi turchini
Kopile moj kopile
Arietta grica
A spuntunera
Canzone a morto / sonata dopo la canzone
Xaccara calabrese, spagnuola
Si partì la Madonna
La calabrisella
Capiddi di sita
Veni sonne di la muntagnella
Riturnella

Pino de Vittorio – voice, chitarra battente, persussions

Laboratorio '600
Franco Pavan – artistic direction, theorbo, chitarra battente

Laboratorio '600 received support from Instituto Italiano di Cultura - Varsavia.
Old Town Hall, ul. Korzenna 33/35
13.12godz. 20:00
ALL’ITALIANA
ANTONIO FLORIO / MARCO BEASLEY / PINO DE VITTORIO / FRANCO PAVAN / CAPPELLA NEAPOLITANA
Marchetto Cara
Mentr'io vo' per questi boschi

Ogniben Venetiano
Com'havrò dunque il frutto

Marchetto Cara
Amor da che convien

Bartolomeo Gazza
Lasso ahimè

Ogniben Venetiano
E' morta la speranza

Marchetto Cara
Così extrema è la doglia

Bartolomeo Tromboncino
Zephyro spira (I)

Vincenzo Capirola
Ricercare ottavo

Bartolomeo Tromboncino
Zephyro spira (II)

Michele Pesenti
Che faralla, che diralla

Don Timoteo
Uscirallo o resterallo

Bartolomeo Tromboncino
Vergene Bella

***

Giovanni Legrenzi
Sinfonia (Totila)

Nicola Fago
Sinfonia (Il Faraone sommerso)

Leonardo Vinci
Sinfonia (Partenope)

Anonim
Canto dei carrettieri

Antonio Duni
Sinfonia G-dur
Sinfonia B-dur
Sinfonia F-dur

Anonim
Lu Cardillo

Marco Beasley – voice
Pino de Vittorio – voice
Franco Pavan – lute

Cappella Neapolitana
Antonio Florio – conductor

Cappella Neapolitana received support from Instituto Italiano di Cultura - Varsavia.
Artus Court, ul. Długi Targ 43-44
14.12godz. 17:30
WŁADYSŁAW Z GIELNIOWA: AUGUSTUS KIEDY KRÓLOWAŁ
ADAM STRUG
Władysław z Gielniowa
Augustus kiedy królował

Anonim
Kiedyż przyjdzie sprawiedliwy
Gwiazdo jasności, studnio słodkości
Barbaro Panno, Męczenniczko święta

Adam Strug – voice
Hipolit Woźniak – hurdy-gurdy
Main Town Hall, ul. Długa 46
14.12godz. 20:00
CARL PHILIPP EMANUEL BACH: ORCHESTER-SINFONIEN MIT ZWÖLF OBLIGATEN STIMMEN WQ 183
MARCIN ŚWIĄTKIEWICZ / ARTE DEI SUONATORI
Carl Philipp Emanuel Bach
Orchester-Sinfonien mit zwölf obligaten Stimmen Wq 183

Sinfonie I D-dur Wq 183:1
Sinfonie II Es-dur Wq 183:2
Sinfonie III F-dur Wq 183:3
Sinfonie IV G-dur Wq 183:4

Berliner Sinfonien

Sinfonie C-dur Wq 174
Sinfonie F-dur Wq 181

Arte dei Suonatori
Marcin Świątkiewicz – artistic direction, harpsichord
Artus Court, ul. Długi Targ 43-44
15.12godz. 17:30
HEINRICH IGNAZ FRANZ VON BIBER: HARMONIA ARTIFICIOSO-ARIOSA (II)
COHAERE ENSEMBLE
Heinrich Ignaz Franz von Biber
Harmonia artificioso-ariosa

Partia V g-moll
Partia VI D-dur
Partia VII c-moll

Balletti lamentabili á 4 C 59

Cohaere Ensemble
Main Town Hall, ul. Długa 46
15.12godz. 20:00
JOHANN SEBASTIAN BACH: DIE KUNST DER FUGE BWV 1080
OTTAVIO DANTONE / ACCADEMIA BIZANTINA
Johann Sebastian Bach
Die Kunst der Fuge BWV 1080

Accademia Bizantina
Ottavio Dantone – artistic direction, harpsichord
Artus Court, ul. Długi Targ 43-44
16.12godz. 17:30
GREMBOSZEWSKI 1629
PAWEŁ IWASZKIEWICZ
Marcin Gremboszewski
Aria voce sola per un Cornetto
Contrapunctum
Canzoneto a 2 voci

Jacob van Eyck
Engels Nachtegaeltje 
Wat zalmen op den Avond doen

Girolamo Frescobaldi
Canzon a canto solo
Canzon Prima detta la Bonvisia

Michael Praetorius
Preludium
Gavotte

Adam Jarzębski
Concerto terzo

Anonim
Suita tańców polskich
Marizapalos con variazioni
Aria di Firenza (con variazioni)

Paweł Iwaszkiewicz – flute, dulcian, bagpipe
Mirosław Feldgebel – harpsichord, harp
Main Town Hall, ul. Długa 46
16.12godz. 20:00
ALESSANDRO SCARLATTI: CANTATE PASTORALE E CONCERTI GROSSI
MARTYNA PASTUSZKA / SOPHIE JUNKER / {OH!} ORKIESTRA
Alessandro Scarlatti
Cantate pastorale e Concerti grossi

Non so qual più m’ingombra H 476
O di Betlemme altera povertà H 488
6 Concertos in Seven Parts (Benjamin Cooke, Londyn 1740)

Sophie Junker – soprano

{oh!} Orkiestra
Martyna Pastuszka – artistic direction, violin
Artus Court, ul. Długi Targ 43-44
17.12godz. 17:30
DANZA!
VINCENT DUMESTRE / ISABELLE DRUET / LE POÈME HARMONIQUE
Luis de Briceño
Españoleta
Andalo çaravanda
El caballo del marques
Que tenga yo mi mujer
Canario
Folia – Serrana si vuestros ojos
Dime de que te quexas

Antonio Martín y Coll
Diferencias sobre la gayta

Pedro Calderón de la Barca
Monologue de Segismundo (La vida es sueño)

Henry Le Bailly
Pasacalle de la Locura

Etienne Moulinié
El baxel esta en la playa

Francisco Berxes
Ay, que mal

Anonim
Lloren, lloren mis ojos (Libro de tonos humanos)
No soy yo (Cancionero de Uppsala)

Isabelle Druet – mezzo-soprano

Le Poème Harmonique
Vincent Dumestre – artistic direction
Artus Court, ul. Długi Targ 43-44
17.12godz. 20:00
ALLA NAPOLETANA
CHRISTINA PLUHAR / CÉLINE SCHEEN / VINCENZO CAPEZZUTO / L’ARPEGGIATA
Maurizio Cazzati
Ciaccona

Claudio Monteverdi
Amor (Lamento della Ninfa)

Rodolfo Falvo
Dicitencello vuie

Henry Le Bailly
Yo soy la locura

Santiago de Murica
Fandango

Giovanni Girolamo Kapsperger
Toccata L’Arpeggiata

Barbara Strozzi
Che si può fare

Sigismondo d’India
Sfere fermate

Josep Maria Marti Duran
Una perica

Alfio Antico
Silenzio d’amuri

Andrea Falconieri
La suave melodia

Traditional
Ninna, nanna alla romanesca
Pizzica di San Vito
La Carpinese
Lo guarracino
Pïzzicarella mia
Lu passariellu

Céline Scheen – soprano
Vincenzo Capezzuto – alto

L’Arpeggiata
Christina Pluhar – artistic direction, theorbo
St. John's Centre, ul. Świętojańska 50
VENUES
St. John’s Centre
St. John’s Centre
The first written mention of a small chapel dedicated to St. John comes from 1358. The church’s style is typical for late-Gothic architecture of the 14th and 15th centuries, with its heavy, buttressed structure, triple nave interior and flat-ended presbytery. The church took on its current form in the second half of the 15th century. In 1543, the church tower was destroyed by fire to be rebuilt 24 years later. In March 1945, the church burned down but its overall structure survived. After the war, the gutted building was roofed and its valuable vaults secured, but the church was designated a lapidarium. The Gdansk Diocese has been using it for services on Sundays and holidays since the 1990s. In 1995, the church was transferred to the management of the Baltic Sea Culture Centre (BSCC), which is reconstructing it with a view to converting it into a professional centre of culture.
Artus Court
Artus Court
In its day, Artus Court was home to the Brotherhood of St. George, providing a meeting place for nobles, merchants and courts. Currently, Artus Court is a branch of the Gdansk History Museum and is regarded as one of the city’s main tourist attractions. The history of Artus Court goes back to the middle of the 14th century - the building was erected in 1348–1350 and named after King Arthur, reflecting aspirations to the ideals of knightly virtue perfectly embodied by the legendary Celtic leader, and of equality and partnership symbolised by the Round Table at which Arthur sat with his knights. The building’s name, curia regis Artus (Royal Artus Court), was first mentioned in 1357. Artus Court is part of a route known as the Royal Way in the historic Main Town. Its interior is organised as one vast Gothic-style hall. In 1530, this seat of various brotherhoods, a meeting point and festival venue, took on another important role as a chamber for open court hearings. The Grand Hall’s acoustic properties were recognised in the late 17th century and regular concerts were held.
St. Catharine’s Church
St. Catharine’s Church
The Old Town’s oldest parish church. Founded by the Gdańsk Pomeranian Dukes it was dedicated to St. Catharine in 1236. The church is a hall-type edifice with pitched roof, a broad presbytery whose current three-nave structure was formed during a 15th century expansion, and a dominant tower. For nearly 400 years, it belonged to Protestants and was only transferred to the care of the Carmelite Order after the Second World War. In 2011, the world’s first pulsar clock was installed on the tower to celebrate the 400th birthday of Johann Hevelius, one of the city’s all-time greatest citizens. This is also where one finds the astronomer’s tombstone of 1659 and a piece of his coffin plaque with monogram J.H. and date of death 28 January 1687. In the 18th century, the church received its first carillon, subsequently modified and extended several times. The instrument survived a fire in 1905 and Nazi confiscation in 1942. Currently, the carillon consists of 50 bells spanning together four octaves making it Central Europe’s largest concert carillon.
Main Town Hall
Main Town Hall
The Great Wety Hall (the White Hall) is located in the eastern wing of the first and most elegant storey of the building. When the Polish kings visited Gdansk, the hall served as a throne room and a place where the royal burgrave received oaths and issued court judgments. The Great Wety Hall hosted commemorations of Polish citizenship and, until the middle of the 16th century, was the venue of City Council meetings. Starting from 1526, the Hall was used for sittings of the common folk chamber (the Third Ordynek) and the Wety Court. Between 1817 and 1921, the Great Wety Hall was mostly referred to as the City Council Hall (Stadtverordnetensaal) as it hosted the meetings of City Representatives. In 1840-1841, its interiors were rebuilt in a neo-gothic style based on the summer refectory from the Grand Master’s Palace in Malbork Castle. In 1909, a 16th century Renaissance portal, that was originally located in the merchant’s house at Chlebnicka 11, was placed over the entry to the Main Hallway. In 1945, the destroyed hall was reconstructed following the design Stanisław Bobiński and brought back to its pre-1941 condition.
Old Market Town Hall
Old Market Town Hall
Created by Anthonis van Obberghen, the Old Market Town Hall was erected in late 16th century in the Dutch Mannerist style. Built for the Old Town authorities, the building was a centre of the political, economic, scientific and social life of this part of Gdansk for many centuries. It was there that city debates were held, that the Grand Hall hosted official ceremonies, while balls and parties were organised there in the evenings. A famous Gdansk-based scholar and astronomer Johannes Hevelius resided in the Old Market Town Hall as an assessor and the first councillor, storing his home-made beer in the town hall cellars. With its landmark silhouette, the town hall is a major urban highlight of the Old Town. Regardless of many reconstructions, the town hall envelope has remained unchanged until now. Multiple modifications of its interior have enriched the building with exceptional objects. The first floor features an elegant hallway and an imposing Grand Hall, now known as the Bourgeoisie Hall, with an original wooden ceiling.
ARCHE DWÓR UPHAGENA – THE FESTIVAL HOTEL
ARCHE DWÓR UPHAGENA – THE FESTIVAL HOTEL
The Uphagen Manor, offering 256 rooms, is one of the Arche Group venues that meet four-star hotel standards. It is located in the centre of Gdańsk, in the Dolne Miasto (Lower Town) district, a historic part of the city centre by an arm of the River Motława and adjoining the Wyspa Spichrzów (Granary Island) and Stare Przedmieście (Old Suburb) districts. The history of the edifice dates back to 1800, when the Uphagen family from Gdańsk decided to move to what was then the suburbs and build a summer residence in classical style. The Uphagens lived in the two-storey manor house until 1852. Then Johan Ernest Uphagen’s widow sold the house to the timber merchant J. G. Kuhn who turned it into a hospital where the Borromeo Sisters from Trier took care of the patients. Due to its growing needs, the hospital was gradually expanded in the 19th and 20thcenturies. Currently, the quarters include the restored manor, outbuildings, a factory, a boiler house and a tenement house.
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